Children's Museum Expansion

I have it on good authority from a source at the Gardner that they have no intention of going public with a design (Piano is still the architect) until they have a significant amount of the funds required for the execution of the project in hand...This is sort-of in keeping with their place as the "anti-MFA"...

My understanding is that the annex will house the Museum's offices, meeting rooms, a lecture space, and some gallery space, and at least 2 floors will be below grade (and no, I haven't seen the plans)...
 
Thanks, guys! I can't believe I hadn't heard about it. If it actually happens that could be one of the most exciting projects in quite some time.
 
I hadn't heard of those plans either. And interesting that this should come up now, as just yesterday when I was out getting pics in the Longwood area I walked by the empty plot where they'll expand and specifically thought, "this land looks like it's dying for something to be built on it."

See what I mean?
img5171lg7.jpg
 
callahan said:
Also, I think it's interesting because in her will, Isabella Stewart Gardner specified that her house could be turned into a museum but could not be changed in any way. I think she may have been specifically talking about the placement of the art.
Some enterprising folks dramatically violated that provision in 1990:

Hours after St. Patrick's Day festivities wrapped up in Boston on March 18, 1990, two men dressed as police officers knocked on the security entrance side door of the Isabella Stewart Gardner Museum at 1:24 a.m. "The policy has always been that you don't open that door in the middle of the night for God. Why on this one night they opened the door no one can explain," Lyle Grindle, the museum's current head of security, told Access Control & Security Systems, a security industry trade publication. Grindle was not in charge of security at the time of the 1990 heist. Just minutes after letting them in, the guards quickly learned that the late night visitors weren't real cops. Though they apparently did not brandish any weapons, the intruders managed to overpower the two guards. They handcuffed the guards, bound them with duct tape and left them in the basement.

In the fewer than 90 minutes that followed, the bandits went through the museum's Dutch Room on the second floor and stole three Rembrandts, including the Dutch artist's only seascape, "Storm on the Sea of Galilee." It was one of several works the thieves savagely cut to release it from its frame, leaving ragged edges of the canvas behind in otherwise empty frames, which continue to hang in the museum to this day. Also taken from that room was "The Concert" by Vermeer, as well as a Chinese bronze beaker located near the Rembrandt. The thieves also apparently tried to steal a fourth Rembrandt but were unsuccessful. Nearby, they also made off with "Landscape with an Obelisk," an oil painting by Govaert Flinck that was until recently attributed to Rembrandt, Flinck's mentor. On the other side of the floor, the thieves went into the Short Gallery and ripped five Degas sketches from the wall. Feet away a bronze eagle that adorned the top of a Napoleonic flag was also pillaged. A Manet portrait, located in the museum's Blue Room on the first floor, capped off the list of works the thieves stole.

It is not known in what order the rooms were ransacked, since the thieves ripped out the surveillance tape before fleeing the museum with it. To this day, the small museum isn't able to collect insurance, since it carried no insurance policy at the time of the heist.
 
There's a planned Gardner addition!?
 
Children's Museum Expansion - Fort Point Channel

http://www.boston.com/bostonglobe/e...8/07/09/new_world_out_on_the_water/?page=full

New world out on the water
July 9, 2008
THE BOSTON Children's Museum already went green, rebuilding its home as an environmentally sensitive structure that doubles as a learning lab for children. Now it's figuring out how to introduce young visitors to the urban waters of Fort Point Channel, which flow outside the museum's front door.

Turning the channel, a dingy industrial waterway, into an environmental classroom would be a major boost for efforts to reconnect Boston to its waterfront.

Reclaiming the outdoors is "important to childhood," explains Ellen Thompson, the museum's director of visitor education and programs. And there are lessons to teach children about becoming stewards of urban settings that mix steel and concrete with water, plant, and animal life.

One good example of a balance between the natural and the man-made are the museum's green roofs. Covered with plants, they soak up storm water to reduce the runoff that spills into Fort Point Channel.

Now, a design team is working on what the museum's outdoor water exhibits should look like. Early ideas include building docks to let children walk out over the water, a fish farming exhibit, boats, a water taxi, and chances to do water quality tests.

Museum officials are also talking to California artist Ned Kahn about commissioning a work that would mix science and art by reacting to the motion of Fort Point Channel's tides. And there's talk of creating a stage that could - when there were no performances - be converted to a fountain.

Museum officials estimate that the project could be done in two to three years. Once it is, it should provide a sound water education that teaches children not to take their surroundings for granted.
 
Interesting that this Children's Museum project just kind of dropped from interest on this board before it was complete. In my eyes its an overwhelming success, and it has added an amazing public space to the city. It's completely endearing to children, without feeling like a playground or a jungle gym--it is a great space for an adult as well.

http://asla.org/awards/2008/08winners/020.html
 
That is sad, because it's about the only project in this forum that I worked on.....
 

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