Peabody Essex's New Gallery | Salem

stellarfun

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The Peabody Essex Museum in Salem has announced it will build a new 175,000 sq ft gallery. Architect is Rick Mather Architects of London. Museum has the construction money, $200 million, in hand.

http://www.boston.com/ae/theater_ar..._into_top_tier_by_raising_550m/?p1=News_links

http://www.rickmather.com/practice#/project_category/museums

Probably puts the PEM into the lead for housing the van Otterloo's collection of Dutch masterpieces from the Golden Age.

The gallery that Safdie designed for the museum less than a decade ago was 110,000 sq ft.

http://www.architectureweek.com/2003/0820/design_1-1.html
 
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Re: Peabody Essex's New Gallery

This is the kind of project that makes me VERY VERY happy. Thanks for posting that link to the Mather site.
 
Re: Peabody Essex's New Gallery

This is the kind of project that makes me VERY VERY happy. Thanks for posting that link to the Mather site.

IIRC, Boston made a push to have the Safdie gallery built in Boston along the waterfront, but the decision came down that it would be too expensive to try and operate two geographically separate museums. I have to say I am shocked that this museum has quietly raised $550 million over the past five years. I had heard, unconfirmed, that the Fidelity Johnson's were major donors for the Safdie Gallery.

The new PEM space is about 40,000 sq ft larger than the new space at the MFA's Art of the America's wing.

Cost of some of the Mather museum projects:

Ashmolean, 61 million pounds; Egyptian galleries, 5.3 million pounds
Virginia Museum of Fine Arts, $150 million (apparently includes 600 car parking garage)
Wallace, 10 million pounds
National Maritime Museum (Greenwich), 20 million pounds
 
Re: Peabody Essex's New Gallery

This has Ned Johnson written all over it. I love when a 1 Percenter puts his vanity in the right place.
 
Re: Peabody Essex's New Gallery

I think the move to Boston was just a bluff. The museum wanted to tear down the armory across the street and was getting resistance. The museum won.

As far as the van Otterloo collection the museum doesn't collect European art so hopefully it goes to the MFA.
 
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Re: Peabody Essex's New Gallery

The ManRay / Lee Miller exhibit at the Peabody Essex was truly world class. I love this museum -- a truly exciting addition.
 
Re: Peabody Essex's New Gallery

Another news article, with a bit more new detail, but no renderings.
http://www.salemnews.com/local/x471034755/PEM-to-expand

The claim is that with this addition, total gallery space will put the PEM in top eight to ten American art museums in terms of gallery space.

And the others are:
MMA
NGA
MFA
Art Institute of Chicago
Getty?
Philadelphia Museum of Art
Smithsonian's two art museums?
Cleveland
Houston?
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The design seems fairly well along, so should be renderings soon.

At about $1,200 a sq ft construction cost, I sure hope there is enough in the collection to warrant that kind of spending.

As for the van Otterloo's, she is a member of the PEM board of trustees, and they have said whichever museum gets the paintings also has to be curator for the very large collection of Dutch art books they recently purchased, IIRC, its 14,000 volumes. The library of the PEM has 400,000 volumes, and may be the largest library of any art museum in the U.S.

And the PEM does exhibit paintings by Europeans as part of its permanent, though a gallery devoted to Dutch art of the Golden Era would be a stretch from its traditional collection areas. I simply don't know with what they would fill this large addition without collections like the van Otterloos.
 
Re: Peabody Essex's New Gallery

Stellafun, I think you would find this article interesting:

http://www.boston.com/yourtown/bost...tion_ars_libri_heading_for_a_new_home/?page=1

The Forsyth building would be a great location for the largest art library in the US.

The MFA just received a large donations of books on Africa-American artist from John Axelrod:

http://www.mfa.org/sites/default/files/Axelrod Collection Press Release.pdf

From the press anouncement:
Increased gallery space for permanent exhibitions will permit the museum to more effectively present its large and diverse collection - which exceeds 1.8 million works of art and culture
http://www.pem.org/press/press_release/209-pem_announces_650_million_advancement_campaign
 
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Re: Peabody Essex's New Gallery

Haven't found any renderings yet, but did find this squib:
"The PEM expansion will be one of Rick Mather Architects' largest projects to date. Boston's CBT architectural firm will be the architect of record for the expansion and Turner Construction Company will serve as general contractor."
 
Re: Peabody Essex's New Gallery

More details, no renderings yet. It seem work to relocate the utilities infrastructure will begin near-term, so the current building housing that can be demolished prior to starting construction of the new addition perhaps a year or so from now.

SALEM — The fine details of the Peabody Essex Museum's $200 million expansion, which was announced Saturday night, may not be known for a year.

In a meeting yesterday with a small group of city leaders, museum officials said they are in a "conceptual phase" right now, are busy working out details with architects and don't expect to be ready to file plans with the city until next fall at the earliest.

"It will be a fair amount of time before we come forward with (design plans)," said Dan Monroe, the museum's executive director.

"We don't have all the answers yet," said Josh Basseches, the deputy director.

Although the details may be sketchy, a lot is known about the broad outlines of one of the largest and most significant construction projects in this city in decades.

This addition, which is really a removal and reconstruction of many existing galleries, will be larger than the 2003 expansion designed by architect Moshe Safdie. Work will all be done within the museum's existing footprint, which means the PEM will be gutting part of its sprawling complex of buildings and, if anything, expanding up, not out.

PEM officials don't know how tall the addition will be, but do know they plan a rooftop garden. Questions about the garden prompted a humorous exchange with Mayor Kim Driscoll, who attended the morning meeting in the museum's Bartlett Gallery.

"Whatever the height of the roof is, you will be able to see the water," Basseches said, indicating an ocean view is one of the goals.

"Are we moving the water?" the mayor asked.

The project will be done in two phases between now and 2016.

First, the PEM will relocate the heating and mechanical systems, or power house, from its location along Charter Street to the top of the Dodge wing, which is a large building along the Essex Street pedestrian mall.

Next, it will remove many of the current galleries and construct new ones. At no time during construction will the museum close, Monroe said.

A new and much larger restaurant likely will be located near the front of the museum and accessible from the pedestrian mall. Part of the Japanese garden, which borders the mall, will be lost, but not all of it.

"We won't be able to retain all of the garden," Monroe said.

Construction is expected to generate more than 600 jobs.

Monroe reassured city leaders that the entrance, atrium and wing designed by Safdie will remain along with Yin Yu Tang, the Chinese house that was moved here as part of the 2003 expansion.

East India Marine Hall, the most famous and historically significant part of the museum, also will remain.

Although bigger crowds are expected, there are no plans to build more parking.

"Other than for very special events, I think our assessment is there is adequate parking in the city," Monroe said.

Following the 2003 expansion, annual visitors to the PEM more than doubled, from about 120,000 to 250,000, an official said.

Major work on the Phillips Library, which is across Essex Street, begins this month as collections are moved into storage. While the library will be closed for a few months, historic records will be accessible during much of the 21/2-year project, Basseches said.

The museum also plans to continue work on its historic houses.

While declining to name donors who have already given or pledged $550 million to a $650 million Advancement Campaign, Monroe said many of the names will be made public in time as galleries and curatorships are named and plaques are erected.

"We asked many people to make stretch gifts," Monroe said. "Obviously, many people have done that. ... We appreciate every single one of the gifts."

Driscoll praised museum officials for "thinking big," for raising such a huge amount of money during difficult economic times and for undertaking a second major expansion within a decade in the heart of the downtown.

"It's nothing short of amazing," she said.
http://www.salemnews.com/local/x627660160/Nothing-short-of-amazing
 
Re: Peabody Essex's New Gallery

This has Ned Johnson written all over it. I love when a 1 Percenter puts his vanity in the right place.

Don't think Ned's money is involved -- Ned has been a major donor to the MFA for decades -- both in turn of $ and Chinese furniture, etc.

No the PEM remains a North Shore money institution as it alwys has been -- take a look at the Board of Trustees -- they and their good friends probabaly make up most of the top donors
 
Re: Peabody Essex's New Gallery

Another news article, with a bit more new detail, but no renderings.
http://www.salemnews.com/local/x471034755/PEM-to-expand

The claim is that with this addition, total gallery space will put the PEM in top eight to ten American art museums in terms of gallery space.


.

Stel -- there is a table (image) comparing local art museums in the following article
Peabody Essex vaults into top tier by raising $550m
Both gallery space and endowment will be expanded

....Of the rest of the campaign, $200 million will fund the museum’s 175,000-square-foot expansion. Another $100 million will pay for infrastructure improvements and other initiatives.

The expansion will add up to 75,000 square feet in gallery space, along with more education space and improvements for storage and conservation.

Afeter the new projet -- the PEM will still be a smaller museum than the MFA in terms of the amount of gallery space and very much more limited in terms of the breath of content

But what the PEM does -- it has always done well-- just for a lot fewer visitors (PEM ~ 250,000, MFA~1.5m)

Salem is just not as accessible as it should be
 
Re: Peabody Essex's New Gallery

Does anyone know existing and potential rail line capacity for North Station to PEM?

Is this a factor in the success?

Wondering if new construction or expansion of commuter service could play a role here.
 
Re: Peabody Essex's New Gallery

The Johnsons are a family with old Salem connections. Below is Ned's great grandfather, and his great, great grandfather was born in Salem in 1792.

Dr. Amos H. Johnson of the class of '53, died last Tuesday at his home in Salem, Mass., with cancer of the stomach.

Amos Howe Johnson was born in Boston on Aug. 4, 1831. He was educated at the Chauncy Hall School in Boston, the Brookfield Family Academy, Phillips Academy and graduated from Harvard College in 1853. Entering the Andover Theological School he graduated from there in '56. He was pastor of the Middleton Congregational Church from 1857 to 1861. Leaving the ministry, he entered the Harvard Medical School and received his degree of M. D. in 1865, and in the following year began practice in Salem where he has continued to practice ever since.

Dr. Johnson held many offices of trust and honor and wrote several noted works on religion and on medicine.

The funeral will take place from the South Church, Salem, tomorrow at 11 a. m.
http://www.thecrimson.com/article/1896/5/14/obituary-dr-amos-h-johnson-of/

Amos was Secretary of the Essex Institute (the Essex part of Peabody Essex) during 1868, 1871, and 1872.
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Salem is the busiest station on the Rockport/Newburyport lines. The train frequency is probably limited because there is a single track tunnel under the center of Salem.

This was the old train station which still led to a tunnel; the station was torn down in the 1950's and the tunnel lengthened.

RRstation.jpg


The Peabody Essex is probably a 7-8 minute walk from the train station.
 
Re: Peabody Essex's New Gallery

Stel -- That certainly sounds as if the Johnsons have feet deeply embedded in both the MFA and PEM

Ned (since 1971), Abigail Johnson as well as Peter Lynch and Jeff Vinick of Fideliy have all been Overseers, Trustees or other leaders of the MFA as well as donors and loaners
 
Re: Peabody Essex's New Gallery

whighlander, a lot of the 'old money' in Boston had/has its origins in Salem. Jack, husband of Isabella, was the scion of two old Salem merchant families, the Gardners and the Peabodys. (The museum owns the building where a certain William Filene started selling stuff.)

But I really find it impossible to believe there is $550 million of old money on just the North Shore that the PEM was able to tap into over the past five years. If there is/was, its been well-hidden.

I could see the PEM making its case for the van Otterloo collection by saying that Salem's Golden Age simply mirrored what the Dutch had done a century and more earlier: trade with the East Indies and Far East, --and that the PEM is really a testament to Salem's Golden Age, so why not celebrate the Dutch Golden Age in the museum as well.

As an aside, I read an article from this past September that Amsterdam's art museums are in trouble; the van Gogh museum has to close because of fire code violations; construction has closed much of the Rijksmuseum for a prolonged period, another museum is short of money and can't build, and the Dutch government is now making big cuts in its subsidy to the museums. The van Gogh is shipping some of its collection over to the Hermitage in Amsterdam gallery.

From looking at a Google map, I would guess the area available for the new PEM gallery is probably not more than 35,000 sq ft, which means this will be a museum tower, five or six stories high, and maybe 90 feet in total height. The shadows will fall mostly on property the museum already owns, including a Japanese garden.
 
Re: Peabody Essex's New Gallery

repost from another thread
Collectors usually don’t like to talk publicly about where their art may end up, but the “Golden’’ show has the van Otterloos contemplating that very subject. Standing in her study, Rose-Marie raised a series of possibilities.

“Should it stay in Massachusetts? Should Europe have the collection? Belgium?’’

Eijk was more specific.

He said if they were to give it away now, it would probably go to the MFA. But he’s interested in hearing from MFA director Malcolm Rogers about how he might be able to accommodate a library of more than 10,000 Dutch art-history books the couple recently purchased.

The van Otterloos are also considering PEM; the Huntington Library, Art Collections, and Botanical Gardens in San Marino, Calif.; and the National Gallery in Washington, at which admission is free, an attractive feature for a couple who say they think a lot about how to make art accessible to the public.

“Look, they probably have the most comprehensive collection of Dutch art assembled in our lifetimes in private hands,’’ said Sutton. “It’s an open secret that everybody would covet the collection.’’

The MFA’s Baer said acquiring the van Otterloo collection would be simply “amazing.’’

“It would lift the quality of our collection of Dutch painting to a whole different level,’’ she said. “It would be institution-changing.’’

But for now, the van Otterloos say they’re not ready to part with their work.

“People are making advances,’’ said Rose-Marie. “They’re starting to dance. All I can tell you is we have so much fun and we’re so proud of what we’ve done together.’’

http://www.boston.com/ae/theater_art...museum/?page=3


New - today:

Although the details may be sketchy, a lot is known about the broad outlines of one of the largest and most significant construction projects in this city in decades.
This addition, which is really a removal and reconstruction of many existing galleries, will be larger than the 2003 expansion designed by architect Moshe Safdie. Work will all be done within the museum's existing footprint, which means the PEM will be gutting part of its sprawling complex of buildings and, if anything, expanding up, not out.
PEM officials don't know how tall the addition will be, but do know they plan a rooftop garden. Questions about the garden prompted a humorous exchange with Mayor Kim Driscoll, who attended the morning meeting in the museum's Bartlett Gallery.
"Whatever the height of the roof is, you will be able to see the water," Basseches said, indicating an ocean view is one of the goals.
"Are we moving the water?" the mayor asked.
The project will be done in two phases between now and 2016.
First, the PEM will relocate the heating and mechanical systems, or power house, from its location along Charter Street to the top of the Dodge wing, which is a large building along the Essex Street pedestrian mall.
Next, it will remove many of the current galleries and construct new ones. At no time during construction will the museum close, Monroe said.
A new and much larger restaurant likely will be located near the front of the museum and accessible from the pedestrian mall. Part of the Japanese garden, which borders the mall, will be lost, but not all of it.
"We won't be able to retain all of the garden," Monroe said.

http://www.salemnews.com/local/x627660160/Nothing-short-of-amazing
 
Re: Peabody Essex's New Gallery

Paul C. the comments about where the van Otterloo collection might go were made at a recent time when presumably most/all of those commenting & speculating had no idea that the PEM was acquiring all the money it has.

There are many good arguments against the PEM inheriting the van Otterloo collection, but I, for a minute, don't believe it is spending $200 million to replace and expand the gallery space it devotes to Asian decorative arts and export china. If not the van Otterloo's, some other collection(s) perhaps.

I do suspect that the van Otterloos will stipulate that whichever museum gets the collection has to display it in its entirety in its own space, i.e., no peeling off a Cuyp and putting it with museum's collection of other Cuyps. and the museum has to display their collection of Dutch furniture as well. I'd say 20,000 sq ft of gallery space max.

What the PEM can offer the van Otterloo's though is the opportunity to design, from scratch, the gallery that would house the collection. This NY Times article (written from London) about the collection, and how they collected it, seems to underscore the importance they place on the aesthetics of setting.

http://www.nytimes.com/2011/04/23/arts/23iht-melikian23.html?pagewanted=all

And after all, the original museum building, on the National Register, is named the East India Marine Hall.
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As to where all this money came from, it would take 55 families living on the North Shore to each give $10 million to accumulate that sum. Maybe so, but I'm skeptical.

Put in another context, the monies that the PEM received over the past five years would have built the Hort's conservatory on the Greenway, plus every museum that was proposed for the Greenway, and there would still be money left over.
 
Re: Peabody Essex's New Gallery

The knowledge and insights available on this forum are unparalleled. You folks are great.

Unless I missed something, why wouldn't an announcement regarding the Dutch collection accompany PEM's press release on the expansion? Wouldn't PEM benefit by buttoning down a commitment and making this news available?

Or, maybe reading between the lines here, PEM has succeeding in raising $$$ because they quietly have buttoned down a commitment. Stellar, is that what you are suggesting?
 
Re: Peabody Essex's New Gallery

The knowledge and insights available on this forum are unparalleled. You folks are great.

Unless I missed something, why wouldn't an announcement regarding the Dutch collection accompany PEM's press release on the expansion? Wouldn't PEM benefit by buttoning down a commitment and making this news available?

Or, maybe reading between the lines here, PEM has succeeding in raising $$$ because they quietly have buttoned down a commitment. Stellar, is that what you are suggesting?

Sicilian, the museum said basically it identified potential donors, and a suggested donation amount, and then went around, hat-in-hand, and the donors responded. Those who wanted to build the Greenway Conservatory or the several Greenway museums were unable to raise even a tenth of what the PEM was quietly raising, and their grand plans came to naught.

One has to assume that the museum already has on display its best pieces of Japanese, Korean, Chinese, and Indian art (India the nation) and there is only so much in the way of exquisite painted porcelain that you can display before eyes glaze over. IIRC, and its a dim recollection, stuff no longer on display and in storage seems to be art and artifacts from Hawaii and the Pacific Islands, maritime dioramas and ship models, and a full-size reproduction of the main salon of America's first yacht, Cleopatra's Barge. I don't think that stuff warrants $200 million, because the reason its not on-display is because what's on-display is more important from an art or collections standpoint.

As the museum will not apparently release the names of the donors until the new building is built, one's left to speculate. The museum and the donors have kept the raising of the $550 million remarkably quiet, which is probably the donors and the museum want it. But the van Otterloo's would know, because Mrs. van Otterloo is on the PEM board.

Maybe what the PEM is doing is like what happened in an Iowa cornfield: 'Build it and they will come.'

The rule-of-thumb in endowment fund-raising is that the institution should raise about half the goal amount during the quiet phase. Supposedly there is gift-giving psychology at work in that formula. Here, the museum raised 85 percent of its goal during the quiet phase.

Its my belief that there is some other collection not presently at the PEM that would excite donors, and warrant and produce such generosity, and if it is not the van Otterloos, it is some other collection(s) not being talked about publicly. This is a museum that in the space of a decade plus will have spent a bit more than what the MFA has recently spent, and about what Harvard is spending on its gutting and complete rebuild of the Fogg. (The Fogg involves demolition of 50,000 sq ft; renovation of 100,000 sq ft, and new construction of 100,000 sq ft.)
 

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