How can the public take advantage of that? By injecting it into everyday lives.
I'd posit that the reason jazz has become such an 'elitist art' is precisely because it's institutionalized.
I wish we had a couple more small comedy clubs too.
...but it was only after jazz was overshadowed by rock and roll (which you could argue dumbed down the average listener's ear) that it became something to be studied.
Why on earth aren't there Berklee, BoCo or NEC students playing in Hynes, Copley, Kenmore, Symphony, ect.?
I don't take the subway much, but how come the only time I see a busker is at Park Street? Is it only profitable (relatively speaking) to do that at the busiest stops in the system? Why on earth aren't there Berklee, BoCo or NEC students playing in Hynes, Copley, Kenmore, Symphony, ect.?
Every station has a location set aside for performers. Some stations are a lot more popular than others. Stations that are under construction (Arlington, Copley) probably don't allow performers right now.
I often see buskers at Davis.
Sweet, there aren't enough drug store chains downtown. *sarcasm*Have you guys seen the shiny new CVS?