Peabody Essex's New Gallery | Salem

Re: Peabody Essex's New Gallery

It is great to hear this museum is doing so well and will be expanding even further! I don't think I've been in it since I was a kid, back when I hated museums to death. I'm not sure if their collection would even interest me in the least, but I still want to go check it out. I'm just hoping that with this expansion they're leaving some room for retail fronts on the Essex St pedestrian plaza and on Charter St. I assume any further expansion will swallow that parking lot off of Charter, abutting the expansion. I'd imagine their goal is to keep going until they hit Central St if that is possible? I just don't see them being mindful of retail, though.
The expansion doesn't take any parking lot. It does take several old wings, loading dock, heating plant.

I continue to be incredulous that they raise so much money. They have a campaign goal to raise $650 million, and they are 7/8th there, About $300 million of the $650 million will go to raise their endowment to more than the MFA or the endowment for Harvard's Fogg.

Where do PEM’s donors hail from? There is plenty of money on the North Shore, and huge speculation about the level of funding from Edward “Ned” Johnson III, the octogenarian head of Fidelity Investments, who is silent on the subject of his donations to local art museums—his contribution to the MFA’s American wing is said by a reliable source to be $100 million—but PEM is tight-lipped on the subject. The donors are not, however, all local. Like the MFA, PEM has assiduously cultivated donors from further afield. They come from Texas, California, even as far away as India. Two South Asian families have contributed substantially. And in 2008, the Bollywood actress Tina Munim Ambani became PEM’s first international trustee. PEM began collecting Indian art in 1799—long before the MFA was even founded—and with the acquisition of the Chester and Davida Herwitz collection of contemporary Indian art in 2000, it became one of the foremost repositories of art from the subcontinent.

http://artnewengland.com/ed_picks/pem-on-the-rise/

Ned Johnson is descended from a Salem family, can't remember whether merchant or sea captain. Jack Gardner, Isabella's husband, was descended from two wealthy Salem families. If the PEM had not been such a museum of the maritime trade at the time, her museum might have been grafted on to it.
 
Re: Peabody Essex's New Gallery

Oh, how nice, the little museum on the North Shore is adding a gallery.

(meow)
 
Re: Peabody Essex's New Gallery

Five museums contending for the van Otterloo collection of Dutch and Flemish masterworks (listed below in alphabetical order)

Harvard Art Museums
Huntingtron Library and Gallery in CA
Museum of Fine Arts
National Gallery of Art
Peabody Essex

They've ruled out giving it to a Dutch museum. They also will apparently require that the receiving museum curate not only the paintings, but the 10,000 volume of Dutch art books, and perhaps the furniture. The MFA said it would house the library in the Forsyth building. The Peabody Essex Phillips Library has 400,000 printed volumes, and over 5,000 linear feet of manuscripts. The National Hallery would seem to lose out on the library front.

Decision to be made within two years time. The Peabody Essex opens its new 175,000 sq ft gallery in 2017.

The salivating bu museum directors in the article is palpable.

http://www.bostonglobe.com/arts/the...lquelV2o88lZDxvqN/story.html?p1=Well_BG_Links
 
Re: Peabody Essex's New Gallery

Local Newspaper picks up on the Globe story.

---- — SALEM — The major phase of the Peabody Essex Museum’s $200 million expansion has gone back to the drawing board, which will delay the project two years.

The PEM confirmed yesterday that its massive construction project won’t be finished until 2019 due to the decision to search for a new architectural firm following the unexpected death last month of heralded museum architect Rick Mather.

Although preliminary work has been underway for months, the museum had not yet filed plans with the Planning Board or Salem Redevelopment Authority for its 175,000-square-foot addition. That was expected to happen as early as this summer, but now has been put off until at least 2014.

“We’ve pulled back all of our requests for meetings with (the city boards) because our design is kind of halted,” said Jay Finney, the PEM’s chief marketing officer.

Finney insisted, however, that the project continues to move forward at a fast pace and is essentially unchanged.

The museum is still adding galleries, education space and a restaurant. When it is done, the total of 550,000 square feet would make the Peabody Essex one of the largest art museums in the country.

One of the flashier parts of the expansion, a planned rooftop garden, may not happen. However, Finney said he is confident the new architect will want to take advantage of views and light from the expanded section and may include a similar amenity.

Locally, the most noticeable change will be the lack of activity on the Essex Street pedestrian mall once the current installation of mechanical systems on the roof of the Dodge wing is completed by late summer or early fall.

When that happens, barriers will be moved, scaffolding will come down, and “we won’t see anything on Essex Street for probably a year,” Finney said.

Finney stressed that this initial, $30 million phase, which includes the mechanical penthouse and other upgrades, is on schedule. He also noted that renovations have been going on inside the Dodge wing, where a new suite of galleries will open in November, increasing the museum’s space for temporary and changing exhibits.

“Now we’ll have twice as many exhibits,” he said.

PEM Director Dan Monroe was meeting with architects yesterday and unavailable, Finney said. He declined to say what firms or how many architects are being interviewed.

“By the end of the summer, we expect to be able to announce the new architects, so we’re on a very fast track,” Finney said.

No layoffs are planned as a result of the delay, he said.

Mather, 75, died April 20. The American-born and London-based architect was noted for a number of museum projects in England, including the Ashmolean Museum in Oxford and the National Maritime Museum in Greenwich. He designed the expansion of the Virginia Museum of Fine Arts in Richmond, which opened in 2010.

On May 10, the PEM announced it was dropping Rick Mather Architects.

“We are deeply saddened by Rick Mather’s passing,” Monroe said in a statement. “It was a privilege and an honor to work with Rick and his team. He was a gifted architect. After careful consideration, we have determined the best way forward to complete our expansion project is to engage the services of another firm for the next phase of design.”

The PEM originally announced expansion plans in November 2011. At that time, it had a 2016 completion date, a timeline that was later changed internally to 2017, Finney said.

This expansion is part of a $650 million capital campaign, of which $570 million has been raised, according to Finney.

http://www.salemnews.com/local/x2026366797/Peabody-Essex-Museum-expansion-delayed-two-years

So about $1,000 a sq ft design and construction cost.
 
Re: Peabody Essex's New Gallery

Went to PEM today, and was overwhelmed at just how much is already there. I feel like last time I went, it was still an itty bitty museum. In 2017 the museum is expected to be double it's current size, and will be among the "top ten largest museums in North America." Damn!

The Asian exhibits are great. From the sounds of it, though, they may be getting rid of some of it, and transferring it to the new exhibit space. The current space will be gutted/demolished and reconstructed.
 
Re: Peabody Essex's New Gallery

Went to PEM today, and was overwhelmed at just how much is already there. I feel like last time I went, it was still an itty bitty museum. In 2017 the museum is expected to be double it's current size, and will be among the "top ten largest museums in North America." Damn!

The Asian exhibits are great. From the sounds of it, though, they may be getting rid of some of it, and transferring it to the new exhibit space. The current space will be gutted/demolished and reconstructed.
If one goes to this map,

http://www.pem.org/aux/pdf/visit/gallerymaps/PEM_VisitorMap_2012.pdf

The Dodge Wing, colored red on the map, is closed until this fall. They are moving, at a cost of $30 million, the central HVAC from the museum grounds to the roof of the Dodge Wing. The stand-alone buildings that currently house this infrastructure will be demolished.

Referring to the pdf map, the buildings that get demolished to allow construction of the new wing currently house the on-exhibit collections of Japanese art, Asian export art (China, Japan, India), plus the garden restaurant.

What potentially gets interesting is the Marine Art Gallery building next to the front entrance.

5390443.JPG


In the photo above, this is the brick-fronted building to the left of the front entrance. The museum wanted to buy it before it built the Safdie wing, but the owner refused. And there was a bit of a feud between the museum and he. The owner is now 85-86 years old, so it would seem inevitable that, sooner rather than later, the museum would make another run at acquiring this building and its adjacent (and small) driveway, and develop it. If the museum chose to extend the Safdie wing to the street, using the Marine Art Gallery land, then an additional 25-30,000 sq ft of gallery space could be created.. (I think the gallery owner has a residential unit on the second floor, and his gallery is on the first.)
 
Re: Peabody Essex's New Gallery

Polshek selected (now called Ennead) to deisgn PEM expansion.

PEM SELECTS ENNEAD ARCHITECTS TO DESIGN EXPANSION
Released August 11, 2013
Construction part of PEM's landmark $650 million Advancement Campaign
$570 million raised to date
175,000-square-foot expansion to open in 2019

SALEM, MA - The Peabody Essex Museum (PEM) announces the selection of Ennead Architects to design the museum's $200 million, 175,000-square-foot expansion. Renowned for design excellence and for its collaborative approach, Ennead was chosen from a group of distinguished architecture firms that were invited to participate in a design charrette this summer. Ennead brings extensive museum experience to the project, having designed the much-acclaimed renovation and expansion of the Yale University Art Gallery, as well as several significant projects at the Brooklyn Museum, Natural History Museum of Utah, William J. Clinton Presidential Center and the Rose Center for Earth and Space at the American Museum of Natural History.

"Ennead Architects impressed us with their creative dexterity, in-depth understanding of our institution and thoughtful design solutions for the museum's complex architectural program. We celebrate their responsive, collaborative spirit and look forward to partnering with them to achieve a design that provides a superlative museum experience," said Dan Monroe, PEM's Rose-Marie and Eijk van Otterloo Director and CEO.

"Ennead Architects brings experience, creativity and tremendous talent to PEM's expansion project," said Samuel T. Byrne, Co-Chairman of the PEM Board of Trustees. "We feel confident they will create a building that will serve the museum well into the future.

"Ennead was chosen after the successful completion of the first phase of the building project, executed by Rick Mather Architects of London, U.K. The initial phase included master planning and the renovation of the Dodge wing, which will reopen in October with a new and expanded Art & Nature Center, and a vibrant program of special exhibitions.

"PEM's expansion presents an exciting design challenge and an opportunity to reimagine one of the oldest and fastest growing museums in the country," said Ennead design partner Richard Olcott. "We are committed to creating a design that functionally integrates the museum's existing campus with a bold new vision that enhances the museum both aesthetically and experientially.

"PEM's $200 million building expansion project is part of a landmark $650 million Campaign to advance the museum's mission of celebrating outstanding art, culture and creative expression in ways that transform people's lives. The expansion will add approximately 75,000 square feet of new galleries; public program and education spaces; a restaurant, as well as essential improvements to the museum's collection, conservation and exhibition processing areas.

Groundbreaking for PEM's expansion project is to commence in 2015, and the new wing will open to the public in 2019. PEM will remain open throughout the construction process until the final months, when re-installation of the museum's galleries will take place.

ENNEAD ARCHITECTS
Known for powerful and sustainable building designs for cultural, educational, scientific and governmental institutions, the internationally acclaimed Ennead Architects (formerly Polshek Partnership) has been a leader in the design world for decades. Its buildings have been recognized for architectural excellence, for their significant contributions to the cultural life of their communities and for the enhancement of their physical contexts. Recipient of the prestigious AIA NY Medal of Honor and the Smithsonian Institution-Cooper Hewitt National Design Award and numerous design awards for individual buildings, including 12 National AIA Honor Awards, Ennead engages in work across the spectrum of architectural endeavor, including new building design, planning and adaptive re-use.

http://www.pem.org/press/press_release/248-pem_selects_ennead_architects_to_design_expansion
 
Re: Peabody Essex's New Gallery

Interview with the PEM's director on selection criteria.

“There are a number of well-known architects who have a signature style which they replicate with variations in the work they do,” said Monroe. “That’s fine. It’s just not what we’re interested in doing. We want somebody who works with us, brings design solutions to the table that are not prefaced or based upon an existing set of architectural moves.”

He also said Ennead uses miniature models of designs, which he appreciates.

“That might seem like an odd criterion,” said Monroe, “but a great deal of design today is done on computer. It’s all great, but in terms of actually working out what a building is going to look and feel like, how it’s going to function, we think it’s really essential a firm make extensive use of models.”

http://www.boston.com/arts/theater-...r-expansion/NYPCopxiW6PX84xOukr4RI/story.html
 
Re: Peabody Essex's New Gallery

Don't various archiCADs support 3d printing these days?
Sorry if stupid question - I'm not in the business...
 
Re: Peabody Essex's New Gallery

Don't various archiCADs support 3d printing these days?
Sorry if stupid question - I'm not in the business...

3D printing is very expensive and doesn't come close to the elegance of wood/matboard/chipboard/plexi modeling. 3D printing is more for site models (surrounding context) and massing models during the Schematic Design (SD) phase. One example is Starchitect Peter Zumthor who refuses to do renderings at all and only build models from wood, clay, etc.

Flip through this photo gallery on Ennead's website and notice all the physical models they have everywhere. This is becoming increasingly rare because it's nearly free to simply produce digital models and renderings instead.
Link: http://ennead.com/#/studio

You just cannot replace the ambience real modeling creates:
(Following are Zumthor models, not Ennead)
d796d795d79ed798d795d7a8-1.jpg

ALM_holzgeru_246_352ste_Kopie_3__450px.jpg

Zumthor_Exhibition.jpg
 
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Re: Peabody Essex's New Gallery

Thanks datadyne, these do look pretty amazing. However, it seems to me that these models should be even more expensive than 3d prints and probably beyond the reach of an average client... While 3d prints will come down in price fairly soon.
One thing I agree with is that, at least from client's perspective, renderings alone are not enough to provide a good understanding of proposal.
 
Re: Peabody Essex's New Gallery

For the last new gallery constructed at the Peabody Essex, IIRC, they built 23 different mockups of the brick facade before deciding. So the Peabody Essex tends to very particular.

I would expect models would be critical if one is trying to map how visitors would move from gallery to gallery, and what perspective they have when entering an individual gallery. A model can probably do that better than a CAD visualization, particularly when one is talking about floors of galleries.

Not that one can't do it visually, see the trailer for Russian Ark, a single continuous shot, single take movie that travels through 33 galleries of the State Hermitage in St. Petersburg.

http://www.youtube.com/watch?v=J--TDEHizVA
 
Re: Peabody Essex's New Gallery

Thanks datadyne, these do look pretty amazing. However, it seems to me that these models should be even more expensive than 3d prints and probably beyond the reach of an average client... While 3d prints will come down in price fairly soon.
One thing I agree with is that, at least from client's perspective, renderings alone are not enough to provide a good understanding of proposal.

3D prints look like junk at this point in the evolution of the technology. Architecture is equally about materiality as it is about the definition of space. Right now, 3D printing can only succeed in conveying mass (definition of space).

This is what CNC ("3D") printing looks like:
csc.jpg
 
Re: Peabody Essex's New Gallery

^^^
These look crappy, but 3d printing is only as good as data provided. There ia a lot of amazing images on the web... But, of course, none shows materials yet - everything's plastic...
 
Re: Peabody Essex's New Gallery

Ennead Architects, which recently completed an addition to the Yale University Art Gallery, was chosen following a competition among five firms.

“We’re very interested in working with a firm that has the capability to provide unique architectural solutions to the sorts of goals we have and the challenges involved in doing an expansion the size we’re doing within the context of downtown Salem,” said Dan Monroe, the museum’s director and CEO.

Ennead Architects takes over for Rick Mather Architects of London following the death this spring of its founder, Rick Mather.

Monroe said PEM was also searching for a firm that will be “responsive ... to our guidance and direction.”

Monroe oversaw a 2003 expansion designed by architect Moshe Safdie, which included a new wing, outdoor gardens, a small park and a 200-year-old Chinese house.

In this expansion, the museum is adding 175,000 square feet of new galleries, space for public events and educational programming, and a ground-floor restaurant. A rooftop garden envisioned two years ago when plans were first announced will “probably not” be built, Monroe said.

It will be at least 18 months before plans are filed with the city, he said. The project, which originally was slated to be done by 2016, now has a completion date of 2019.

When the new addition opens, PEM’s total gallery space will rank among the top 10 American art museums, Monroe said.

PEM is about to complete the first phase of this large and complex project, which includes a rooftop penthouse that will house the museum’s mechanical and electrical systems, and renovations to the Dodge wing, which is expected to open to the public in November.
http://www.salemnews.com/local/x1084953117/PEM-selects-NYC-firm-for-project/?state=taberU

Wonder who the other four firms were that participated in the charrette.
 

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